Deseret Tarot and a Swarm of Bees
Posted on July 22nd, 2011 // Letterpress, Posters & Prints, Printing

Secrets and Symbols of the Deseret

We love to work with the AIGA. For those unfamiliar, the AIGA (American Institute of Graphic Arts) do for design what the Shriners do for brotherly love, and designers that are a part of the AIGA aren’t required to parade around driving miniature Corvettes while wearing funny hats. The AIGA strives to create a cultural forum and foundation for any professional designer. They are really quite awesome.

So, lucky us, the AIGA will be hosting next year’s conference in Salt Lake City. Yay! Like the passing of the Olympic torch, we were asked to provide a snippet of what Utah is all about so the AIGA could get a taste of what they’re in for. Naturally, we have an expert (of sorts) on all things Utah – Dan Christofferson. Dan created the artwork for this piece and we couldn’t have dreamed a better result.

Dan is super zealous when it comes to the interesting, if not at times absurd, Utah history. I’m sure most people think they have an idea of the goings on around here because of a certain HBO show, but rest assured, we’re pretty sure that most of us don’t have multiple wives, invest in reservation casinos, nor do we have grandmothers hustling parrots across the border. However, we do have some wacky history.

An excerpt from the piece:

An engorged seagull, a solid gold railroad spike, a cryptic alphabet…Within this deck of cards, the AIGA Salt Lake Chapter has gone through great lengths to unearth and translate the six most sacred and intriguing symbols of this culture.

Printing this piece involved some extra, fine-tuning. Lucky for us we’re equipped with the Heidelberg ‘S’ Cylinder press that can churn out an 16″x24″ print (actually it can print up to about 19″x27″). We then die-cut it and hand-rounded the corners. We’re not going to lie, registration on this double-sided, 4 color piece was no walk in the park. We used Dur-O-Tone Butcher Off White paper that was kindly donated by French Paper. Also, obtaining consistent ink coverage on a sheet this large is always a challenge. It’s pieces like this that make our hearts swoon.

We’re excited to have the AIGA come to our humble Salt Lake City. We’ll be welcoming everyone with open arms, swarms of bees, some long-haired hit man, and our 55 wives.

 

 

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Large Scale Letterpress
Posted on February 10th, 2011 // Letterpress, News, Posters & Prints, Printing

I love design, I love print, and I love tattoos (it’s printing on skin!). So when the local chapter of the AIGA called and asked us if we’d be willing to donate printing to help promote an event called “Full Bleed, The Design and Tattoo Experience” the answer was a definite yes.

We’ll take any opportunity to support AIGA SLC because no matter what they’re up to it’s guaranteed to be great, but this one was really fantastic. The plan was to host a party to showcase the artwork and design of local tattoo artists. The talented Dan Christofferson (beeteeth.com) was to provide the design and illustration, and we would print a poster and postcard for the event. The 16.5″x23″ poster and 6″x9″ postcard both featured an illustration that was a clever combination of traditional tattoo iconography peppered with printing and design jargon. The outcome was amazing and pushed the limits of modern letterpress with very heavy ink coverage and super tight registration.

Things got even better when the decision was made to hold the event at our new 8,000 square foot building, which we had not yet moved into. The folks of the AIGA did an amazing job with the place and Epic Brewery provided beverages for all. Rumor has it there were even a few tattoos received to commemorate the event.

The poster was printed on our behemoth 21″x28″ Heidelberg S Model Cylinder press. The thing is a true wonder and beautiful to watch. Its cylinder alone weighs as much as one whole Vandercook Number 4 proof press.

The postcard was printed on our Frontex Automatic, a tiny wonder of German ingenuity that has become a real asset to our shop. With a maximum sheet size of only 10″x15″ it’s essentially a miniature version of the Heidelberg cylinders but it packs quite a punch.

It was all printed on 100# Mohawk Superfine which was graciously supplied by Zellerbach.

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